Ninja C: Call me “Muva” cause there can’t be another
While at it Ninja C makes sure we "call her mother cause there can't be another". Uniquely there haven't been so many female rappers from her era that have stayed…
The Energy Queen Takeover: BrendaLynn Kirungi on Systematic Disintegration, the 10,000-Hour Trap, and Why Everyone Is a Creator
But how do you avoid the trap of scattered focus? You shift your aim. Instead of trying to master external trades, you master yourself. External situations are fragile—industries shift, pandemics…
The Mith Returns: Revisiting THE UGANDAN Vol 1 and What to Expect from Vol 2 (Bali- Okwabwe)
In this ever evolving landscape of Ugandan hip-hop, The Mith’s name undoubtedly carries immense weight and legacy. Veteran in the game and a respected lyricist, The Mith has consistently used…
Northern Uganda is Rising: Has Ugandan Hip-Hop Moved Beyond Kampala?
Kampala still has the infrastructure- studios, media, events- but the hunger that once defined its hip-hop scene feels somewhat subdued. Some artists have pivoted to more mainstream sounds to survive…
Baru’s ReDefinitions the Beat EP comes to All Music Streaming Services 10 years later
There's also the famous story of Baru calling everyone back to the studio. Baru wanted the artistes to do a full 16 bars track instead of the 8 bars earlier…
The Ledra produced HATI is stuck on my mind
HATI: The sound is infectious, the multi lingual flows are engaging from Itesot (Triggah), English (Peypah) to Luo/Acholi (Joge) moving delivery produced by Ledra.
Did Enygma predict the Eddy Kenzo vs Late Philly Lutaaya Born In Africa situation?
They say artists tend to have a prophetic eye, looks like Enyma saw this coming.
Byg Ben Sukuya and Marginalization in Ugandan music: Language or Quality?
The big dream is to be successful and that is what every artiste strives for. However that's where the major problem lies; the resources may be available, and the audience…
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